Newseater - Adult Edition

“That’s what my boobs look like on camera?” asks the delicious and volatile Penny Flame in the pleasantly disquieting “I Film Myself 7.” “Holy crap.” For a movie that makes the performer the cameraman and the scene partner the viewer, you’d expect the resulting effect to be more claustrophobic than it is, and the production value (yes, it still matters) to be awful. Yet these scenes makes us feel like we’re fighting in some dusty place and our hot girlfriends just sent us a movie.

“They’re ginormous,” Flame continues. “No wonder you guys like me.”

The format allows for the performer to carry on a monologue in a bathroom.

“…Or why I like myself.

“…Having big boobs has nothing to do with why I like myself.

“…That’s sexy talk, Penny Flame.”

Flame and other performers, including Alexa Jordan, Missy Stone, Jean Jacobs (nee Laconia), and Scarlett Fay treat the viewer to an intimate view of how they look at themselves (albeit under the watchful eye of a porn director), and the result is a different, less frantic kind of porn movie.

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· Greedy Video (greedyvideo.com)

· Buy “I Film Myself 7″ (gamelink.com)

Original post by Gram Ponante

When we tell you that a comedy website created a video about directing porn movies, there are very few possible outcomes. But what we couldn’t predict about Matty Kirsch’s visit (in a pith helmet!) to the set of the not-very-overhyped “It Ain’t the Partridge Family” was that star Nick Manning would come across as the only serious one in the group. Must have been an introspective day.

. . .

· “Directing Porn 101″ (bushleague.tv)

Original post by Gram Ponante

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Original post by Gram Ponante

Is this where the term treehugger comes from? Because we know that it has something to do with nature “lovers” and people who get turned on by being outdoors, right? Sometimes just being out in the fresh air and enjoying the sights and sounds of the forest is all that it takes to get people feeling randy and adventurous. Of course, being adventurous is also how you get poison oak on your bikini line, so we’ll just watch from inside today, thanks.

· “outdoor” (Megarotic)

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Previously: Flesh Flicks Archive

Original post by Dashiell Bennett

Was insecurity behind the “excessive,” emotional, days-long Tim Russert remembrances? That’s what Howard Kurtz seems to think and not just because television is full of middle-aged white men who maybe got a sudden unwelcome taste of their own mortality. Kurtz says it actually has to do with the fact that,

Russert was a popular figure in a field whose practitioners are often mocked and derided, a credible commentator in a widely distrusted profession. Journalists of all stripes wanted to be associated with him, perhaps hoping a little of the magic dust would rub off.

Not only that, it seems that even though Russert was hugely successful producers today “are terrified of boring the audience” (apparently notwithstanding fireside chats) and basically the fear is that without Russert we’re all destined to get our news off YouTube or from cable loudmouths, which if newspapers continue their current decline doesn’t seem like such a far-fetched idea, though as Kurtz points out “the last thing embattled journalists should do is remain mired in the past, dreaming of the glories of Russert’s heyday.”

New Career Opportunities Daily: The best jobs in media

Original post by Gram Ponante