Newseater - Adult Edition

This past Friday night, Adam & Eve threw a grand soiree at Boardners in Hollywood for the decadent release of Ernest Greene’s “Story of O” sequel, “The Surrender of O.” Rubber clad temptresses bobbed in between a sea of media types, comingling with other rising porn starlets and quaffing mind numbing elixirs from the theme bar.

Director Ernest Greene and his wife, Nina Hartley, set the tone in full S&M regalia—along with nearly the entire cast, who were custom swathed in alluring and color coded latex from infamous fetish designers courtesy of Syren. Next to the legendary Nina Hartley, was Bree Olson, eagerly ttending to the guests every need. (And we must say, Bree did an excellent job of replacing newly retired Carmen Luvana.) Bree was joined by costars Ava Rose, Bobbi Starr, Claire Adams, Mika Tan, Evan Stone, and Tommy Gunn.

Jenny Hendrix, Veronique Vega, Aiden Starr, Satine Phoenix, and a virtual wash of new, blonde porn stars lined up against the media wall to have their pictures taken while Master Liam, Master Aaron, Master Joseph, and other L.A. bondage scenesters came out to pay their respects to Greene, almost as if he were the Godfather or the vampire Lestat. Throughout the evening, several small spanking and bondage sessions ensued—to the delight of the swelling but oh-so-exclusive crowd.

The evening culminated with a lusciously movable feast of tits and ass being paraded onto stage for a roll call, immediately followed by the one and only Mistress Claire Adams performing a grand spanking finale (one we won’t soon forget). It comes as no surprise to us that, after such a wild evening of incendiary action, Los Angeles burned to the ground the next day. Really, we’re just left with one question: does the delightful Miss Olson also play fiddle?

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· Buy “The Surrender of O” (gamelink.com)

Original post by DCypher

If you have a soft spot for submissive women and a hard spot for dominant ones, you will love “O2: The Surrender of O,” Ernest Greene’s self-described “fan-fiction” updating of the classic 50’s sexploration of O, the woman who learned that sometimes the best freedom was the right kind of slavery. Read our review of the movie after the gap.

O2: The Surrender of O

“We hate to be wet alone,” says Marie (Nina Hartley) of her new, incorrigible slave O (Bree Olson). “(But) we don’t punish because they’re bad, we punish because it’s fun.”

Marie and Mistress Nicole (Nicole Sheridan) are co-dominatrices in a clean industrial space to which O has hied herself to begin masturbating without permission. And this is not allowed.

In the rarefied world of O2, director Ernest Greene’s “fan fiction” updating of characters from Anne Desclos’ “The Story of O” (and the sequel to 2006′ O: The Power of Submission), everything requires permission and everything has rules. But the consequences are supposed to be fun.

So what happens in a D/s relationship when things aren’t fun anymore?

Before we get to that, let’s talk about Bree Olson and Carmen Luvana.

In the original, former Adam & Eve flagship contract star Carmen Luvana played the title character as Carmen Luvana herself is; a steely, no-nonsense sweaterminx who was all machine-crafted porn-star curves. Olson inhabits the role in a far-more cushiony way. It is easy to believe the sub in her. In fact, as the stern (but fair) Hartley and the Amazonian Sheridan put O(lson) through her paces, hanging her upside down, smacking tantalizingly close to her most secret places, O looks like a delicious and yielding piece of dough beside the two more angular ladies.

“You don’t have to see the first one to get the story,” director Greene says. But I get the feeling Adam & Eve would like you to. The first movie made a lot of money and still brings in a fair amount of cash each month, which is unheard of for a porn movie from two years ago (which is a much better way of saying “a two-year-old porn movie”).

The sequel finds our heroine still in love with the man she left behind, having even lasered off his tattoo from her tramp stamp area. But can she keep away? And will Marie be her enabler?

O is a sexual tourist, a servant of many masters, and the story of O is what constitutes fidelity in the master/slave relationship.

So the movie opens with this zesty little scene in which Olson is nothing but a willing plaything to Marie and Mistress Nicole. And this is fine. BDSM purists will love it as will fans of Hartley, Sheridan, and Olson, each of whom represents a body type characteristic of the generations of Porn in which she started.

But after her workout, Olson and Hartley start talking (Sheridan has been dispatched to In-n-Out Burger, where she will return with a bagful of Double Doubles that the ladies will wrestle in for the O sequel in my mind). As in real life, Hartley as Marie plays an impish mentor, suggesting to O that her “maintenance doses” of whupping might not be enough to scratch O’s itch.

“Why don’t you come up to the house?” says Marie.

The house! If there had been a budget for it, we would have flashed back to 2006 and the strange events at The House, a full-immersion “lifestyle” chateau in which masters, mistresses and their servants live their roles unfettered by aspects of common living like phone bills, nosy relatives, and Jehovah’s Witnesses. It was here that O’s character was swapped between the imperious Steven and his tragic brother Ray, and where O broke Steven’s heart.

The house!

O swallows her fear and makes the drive, and in a quick montage sequence that would have made Stephen J. Cannell rethink his career, she gets herself gussied up for the experience, removing underthings, self-shackling handcuffs, etc.

At the house, O meets Rita (Mika Tan) and Regina (Kayden Kross), who let her know that Marie is the prime mover in the operation, not the fellows whom she lets think are in charge.
“It’s a quite profitable business,” Regina says. “For us.”

But wouldn’t that make me a whore? we hear O thinking.

“Don’t even say it,” Rita says.

Now it’s time for more sex. For someone who so clearly looks like the late-model porn star, Kayden Kross sure works hard for her money. Unlike Olson, who looks the part of a welcoming sub, the porn-glamorous Kross must convince us that she really likes what she’s doing, and she does this in a post-shaving interlude with Erik Everhard. She and the Canadian Everhard engage in some cross-border trucing that is all about the north/south reconciliation and not about fisheries.

But things are going tough for O. Not only is Steven downstairs making Tan and Ava Rose do terrible, wonderful things, but his prodigal half-brother Ray (Tommy Gunn) also just checked in. O is distraught, and Rita dutifully runs to tell Marie. It’s a goddamn henhouse with buttplugs in there.

“Oh, poor O,” says Marie when Rita tells her the news, as if Marie couldn’t have prevented all this potential heartache. Like God, a dominatrix always wants to take the credit for the good times, but when things go south, it’s all about your personal responsibility.

Anyway, after watching O endure encounters with both cold Steven and hapless Ray (the brothers have a scene together - in which they talk - where I almost forgot I was watching a porn movie, save for Kayden Kross’ ass), puppetmistress Marie orchestrates a reconciliation between O and Steven. She even gives the soon-to-be-couple a ring with the inscription “Freedom is deciding whose slave you want to be.”

At this point I was wondering “what gives you the right, Marie?” when O said those very words on screen.

“I don’t,” says Marie. “But, like everything I have in life, I took it.”

So not only does O2 illuminate and glorify good D/s relationships as healthy partnerships between thoughtful people, it also validates Marie’s unsettling compulsion to meddle. This domme is topping from the side.

While now and then a performer seems to struggle with the lines he has been asked to deliver, my only real problem with this movie is that it looks like it deserved more money. It was like having to watch Lawrence of Arabia on a little black and white TV.

Regardless, as a sex film, as a lifestyle documentary, and as a flesh-packed, English-language telenovela, O2: The Surrender of O is, like its predecessor, another porn movie that transcends its genre. Come for the Nina, stay for the Bree.

Studio: Adam & Eve
Director: Ernest Greene
Cast: Bree Olson, Kayden Kross, Tommy Gunn, Evan Stone, Nina Hartley, Ava Rose, Trinity Post, Mika Tan, Bobbi Starr, Erik Everhard, Jerry, Claire Adams, Marco Banderas, Nicole Sheridan

Review by: Gram Ponante

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· Adam & Eve (adameve.com)
· Buy “O2: The Surrender of O” (tlavideo.com)

Original post by Gram Ponante

Gallons of (digital) ink have already been spilled trying to get to the roots of why so many Americans revile Rethuglican Vice Presidential candidate Sarah Palin yet have such an overwhelming desire to see her fucked hard in each and every hole. With most of the planet (rightly) believing that there’s a lot at stake in this election, media pundits mirror the angst of the public—the thinly veiled rage boiling just under the surface after nearly a decade of corruption, bald faced lies, obfuscation of justice, and arrogant entitlement at the expense of the rest of the us—by pointing out every misstep of the gun toting Wasilla beauty queen. One member of the media elite even referred to Palin as the ultimate pin-up girl for people who don’t believe in masturbation.

With less than two weeks until the election, the GOP has turned on itself, pointing fingers at each other and actualizing the kind of erratic behavior they’ve been accused of for months now. The bottom line is that there’s more than a likely chance (if polls are any indication) that the neo-con and evangelicals’ new favorite cheerleader will soon be packing up her $150,000 wardrobe and heading back to the crystal meth capital of Alaska while Tina Fey goes back to work at 30 Rock. But where will that leave the rest of us? Holding our proverbial dicks in our virtual hands—that’s where!

But wait, there’s hope! As we’ve discussed at length, freedom fighter and political antagonist Larry Flynt has been hard at work, producing a sex parody that’ll give the nation ample fodder to get our electoral rocks off. We may never get to the roots of why we find her so eminently fuckable, but at least we’ll always have a souvenir of the days before this great country rode over the edge of the abyss with divisive partisan politics. In these last dark hours, before we lose the ability to believe in “hope” or “change,” let’s enjoy this fine pornographic accomplishment together. We’re sure the memory of its beautiful hardcore action will keep us going this time next year, when we’re roasting pigeons over our trashcan fires, huddling together for warmth in one of the sprawling tent cities soon to be springing up all over America!

We’d like to imagine that one day soon Sarah herself will watch it—ideally, naked on all fours wearing only those sexy MILF glasses, with the First Dude mounting her from behind while she screams at the top of her lungs “Drill Baby Drill!!”

What? Too soon? Yeah… maybe you’re right.

Thanks to Hustler for this exclusive gallery (only on Fleshbot, kids!), and to Larry for—yet again—being the only one think about the pervert vote.

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· Hustler (hustler.com)

Original post by DCypher

Like Hal Holbrook with Mark Twain and Sam Waterson with Abraham Lincoln, Jada Fire is our generation’s premiere interpreter of Condoleezza Rice. “This is the second time I’ve played Condi,” Fire said on the set of “Who’s Nailin’ Paylin?” this weekend. “The first time was in ‘Spunk’d‘ when I knocked George Bush into a pool of come.”

“Who’s Nailin’ Paylin?” also features Lisa Ann (and Sindee Jennings) as “Serra Paylin” and Nina Hartley as “Hillary.”

But it is the Brick House Fire who has twice been called upon to channel Rice, herself the only National Security Advisor-turned-Secretary of State to have an oil tanker named after her.

“She’s got a great ass,” Fire noted.

Would Mdm. Secretary be honored?

“Condi’s gonna kill me,” Fire said.

· Hustler (hustler.com)

Original post by Gram Ponante

I caught up with Fleshbot Crush Object^TMNina Hartley (it wasn’t too difficult; she was busy being serviced by a man 20 years her junior at the time) and asked her for her verdict on what is and isn’t a MILF. See what she said after the gap.

“‘MILF’ suggests motherhood,” the veteran pornstress and star of thousands of videos and countless more sordid fantasies said. “‘Mom I’d Like to Fuck’. ‘It also implies something soft and warm. I prefer ‘cougar’. ‘Cougar’ is more predatory.”

Trained as a midwfe, Hartley has nevertheless chosen to remain childless. Why, then, and despite what she just said, did we find her atop Will Power on the set of Northstar’s latest episode of “Minivan Moms”?

“It’s a heartwarming story in which the two characters fall in love - ?” she suggested.Despite my general star-struckedness, around Hartley, who still gets mail about her 1988 outing with Peter North in “Splendor in the Ass,” I didn’t buy that either.

Hartley, whose “Nina Hartley’s Guide to Total Sex” has just been translated into German (”Sex mit Nina“) will be riding her minivan into your pants by Christmas, regardless of the fact that she only plays a mom in porn films.

· Nina Hartley (nina.com)
· Northstar Associates (northstarassociates.com)

Original post by Gram Ponante